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Matsumoto Taiyou Entretien de Xavier Guilbert

The Japanese manga production can often appear as extremely standardized, following the lead of the publishing powerhouses’ weekly and monthly magazines. Among what has undeniably become an industry, Matsumoto Taiyou emerges as a singular case: for a quarter of a century, he has been creating a highly personal and uniquely recognizable body of work, of which Sunny, his latest series, might well be the most intimate accomplishment.

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Matsumoto Taiyô

Sep

Black & White

by Matsumoto Taiyô

Just as we were getting used to stacks of little books written right-to-left, just as manga has spread to the point where it is henceforth part of the comics reader’s landscape — in this universe of sleek lines and flawless patterns, with its characteristic big eyes and little panties — Black and White hits us […]

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Commentaires

Xavier, I wonder if by any chance you would know why Chiisakobe hasn’t been published in English yet. I know it was released in French, Spanish and that there’s even a German version on its way, but no sign of an English version, as far as I know.

Fernando Marv

21 Jan 01:05

sur Mochizuki Minetarou

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Brilliant text, mister Moura. If I had read it at the time of its publication I should have quoted from it in my recent PhD in the arts, where I do treat the question of comics as a possible 'minor litterature', following Deleuze and Guattari on Kafka. https://sbastien-conard.squarespace.com/texts/ http://sebastienconard.be

Sebastien Conard

02 Mar 21:41

sur Les Schtroumpfs noirs

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